"Asia as a whole is so important to my design, to my business, to my personal aesthetic and culture."
Elaborate floor-grazing gowns of every delicious hue accompanied by office-chic power suits for the modern contemporary woman, Zac Posen delivered a lip-smacking, saliva-inducing double collection (Pre-Fall and Fall/Winter 2012!) on the penultimate night of Singapore's Audi Fashion Festival 2012. His runway preview, as well as the pre-show excitement buzzing in the Tent@Orchard, was nothing short of a wondrous affair, with socialites, editors, style enthusiasts and local celebrities dotted around on the red carpet, clutching glistening flutes of champagne and mingling with the stars... And, of course, maintaining perfect composure under the merciless flash-photography attacks of the paparazzi.
(I'm proud to say that I, too, was subjected to the utter "torture" of having my picture taken by the paps. Sigh, life's tough.)
I hate to start my review with a piece of criticism, but I do think this is worth sharing: Although the individual pieces were absolutely stunning, I do think that a little more time, effort and resources could be put into expanding the existing collection(s) even further by exploring a wider range of stylistic techniques and fabrics, and drawing inspiration from a larger scope of sources. I purposely decided to include the 4 pictures above in a collage together because I think they collectively represent the essence of Posen's collections (I probably should've thrown in a fiery hued dress for oriental measure, too...): Evening dresses, power suits and the occasional textured separate. I know that sounds harsh and abrupt, but throughout the whole show, I felt like I was waiting for something that would really strike a chord and bring the audience to their feet. The power suits brought a smile to my face, as did the genius idea of layering a luxury fur pullover on top of a voluptuous tailed skirt, so I can't help but wish I saw more ingenuity and uniqueness. I felt that Posen played it safe by playing up his signature strengths (in the form of evening gowns), even though he had the potential to impress his audience equally as much by taking bolder risks.
And with that short complaint over - I'm pleased to begin the next phase of this lengthy post, which will be flowing with nothing short of the highest praise for Posen's glittering creations. Promise.
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In an interview with BBC, Zac Posen spoke of the increasing influence that Asia possesses over his designs and his aesthetic. He certainly isn't just full of talk; the evidence of Asian inspiration was profoundly significant, and pulsated through the entire collection. As intense Adele violin instrumentals blared, the show kicked off with understated LBD's (Long Black Dresses, that is), and graduated into the first dose of saturated red gowns, reminiscent of Chinese prints and oriental motifs. Both the atmosphere and the music both cooled down a few notches as a series of tailored ensembles in sub-zero hues unfolded onto the runway. Taffeta silk tails blazed the trail the entire night, with unique silhouettes and inventive collar-cuts following close behind. Icy chandelier earrings embellished each and every million-dollar look by adding a few more zeroes to their price tags, as well as leaving remnants of tiny, sparkling reveries for the audience to devour. Although the venue remained understated and simple, the high-octane glamour was enough to leave the entire room tent ablaze with explosions of fluorescent fabric and dazzling diamonds. 
Posen's authentic showcase was the first proper "Fashion Week" show that I have ever attended, and judging by the hyperventilating, giggly state I returned home in, it certainly wasn't going to be the last. I am proud to say that I returned to that very same tent with even more juvenile enthusiasm the following night for the grand finale that bid farewell to AFF2012 - Roland Mouret. A post on that is coming soon!
